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                                           Amazing Grace
                                                                       John Newton
 


Amazing grace! How sweet the sound
That saved a wretch like me!
I once was lost, but now I'm found,
Was blind, but now I see.

'Twas grace that taught my heart to fear,
And grace my fears relieved;
How precious did that grace appear,
The hour I first believed!

Through many dangers, toils and snares,
I have already come;
'Tis grace has brought me safe thus far,
And grace will lead me home.

The Lord has promised good to me,
His word my hope secures;
He will my shield and portion be,
As long as life endures.

Yes, when this flesh and heart shall fail,
And mortal life shall cease;
I shall possess, within the veil,
A life of joy and peace.

The earth shall soon dissolve like snow,
The sun forbear to shine;
But God, who call'd me here below,
Will be forever mine.

When we've been there ten thousand years,
Bright shining as the sun,
We've no less days to sing God's praise
Than when we'd first begun.
 

John Newton (1725–1807) was the captain of a slave ship. On May 10th, 1748 returning home during a storm he experienced a "great deliverance." In his journal he wrote that the ship was in grave danger of sinking. He exclaimed "Lord, have mercy upon us!" He was converted, though he continued in the business of slave trading. However, he demanded that the slaves he transported be treated humanely. Newton wrote the song "How Sweet the Name of Jesus Sounds" while waiting in an African harbor for a shipment of slaves. Later he renounced his profession, became a minister, and joined William Wilberforce in the fight against slavery.

   The now familiar and traditional melody of the hymn was not composed by Newton, and the words were sung to a number of tunes before the now inseparable melody was chanced upon. There are two different tunes to the words. "New Britain" first appears in a shape note hymnal from 1831 called Virginia Harmony. Any original words sung to the tune are now lost. The melody is believed to be Scottish or Irish in origin; it is pentatonic and suggests a bagpipe tune; the hymn is frequently performed on bagpipes and has become associated with that instrument. The other tune is the so-called "Old Regular Baptist" tune. It was sung by the Congregation of the Little Zion Church, Jeff, Kentucky on the album The Ritchie Family of Kentucky on the Folkways label (1958). Newton's lyrics have become a favorite for Christians of all denominations, largely because the hymn vividly and briefly sums up the Christian doctrine of Divine grace. The lyrics are based on 1 Chronicles 17:16, where King David marvels at God's choosing him and his house. (Newton's entitled the piece "Faith's review and expectation".) It has also become known as a favorite with supporters of freedom and human rights, both Christian and non-Christian, as it is believed by many to be a song against slavery, as Newton was once a slave trader. He continued to be a slave trader for several years after his experience, but later he became a clergyman. The song has been sung by many notable musical performers.
The hymn was quite popular among both sides in the American Civil War. While on the "trail of tears", the Cherokee were not always able to give their dead a full burial. Instead, the singing of Amazing Grace had to suffice. Since then, Amazing Grace is often considered the Cherokee National Anthem. For this reason, many contemporary Native American musicians have recorded this song.
The association with bagpipes is a relatively modern phenomenon; for over a century the tune was nearly forgotten in the British Isles until the folk revival of the 1960s began carrying traditional musicians both ways between the British Isles and the United States (where Amazing Grace had remained a very popular hymn). It was little known outside of church congregations or folk festivals until Arthur Penn's film Alice's Restaurant (1969). Lee Hays of The Weavers leads the worshippers in "Amazing Grace". The song sounds particularly moving when played on the pipes and is very common at funerals and memorial services.
(Information from The Contemplator's Folk Music and Carolan Resource Center)

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